I couldn't resist squeaking out one more painting before the holidays. There's lots of fresh holly in San Francisco right now that provided some great inspiration for this piece:
"Of all the trees that are in the wood, the holly bears the crown."
Happy Holidays!
Sold.
Saturday, December 19, 2009
Wednesday, December 16, 2009
Wednesday, December 09, 2009
Friday, December 04, 2009
A Butterfly's Adventure
"Those who turn back know only the ordeal but they who persevere remember the adventure." - Milo L. Arnold
Welcome to this special premiere of one of my thesis paintings. I have been keeping them mostly under wraps during production over the past year and am excited to reveal them to you! I have called my thesis Faithful creating a total of 15 paintings with varied subject matter that I hope will inspire you to pursue your dreams.
Keep watching Bethany's Journal as I release the rest of the series early in the new year.
Thanks for following!
Thursday, December 03, 2009
Arise (Study)
Here is a study for a large still life I'm working on... I'm loving the textural ground and lots of Burnt Umber. I like the idea of figuring out what you see on the edge of consciousness. What is clear and what is not? Maybe you see something you wouldn't normally see when fully awake. That's something I'll be exploring more in the large piece.
Wednesday, December 02, 2009
Wednesday, November 25, 2009
Monday, November 23, 2009
Boudoir (Study)
This is a small study for the larger painting I'll be completing in class this week. I've been working more and more on expressing mood and emotion in my paintings and this is increasingly irrespective of detail and perspective. I'm finding classical techniques are often unreliable in conveying what I want to say.
My teacher, Baoping Chen, spoke to me last week about the process of painting first what you see, then what you know, and finally, what you feel. Personally I believe there is one more step: painting what you sense spiritually. I think this is a separate process that involves perception apart from the five senses. This is something I continually grapple with in my art.
Friday, November 20, 2009
Window Tree
Thursday, November 12, 2009
Purple Rain
Tuesday, November 10, 2009
Friday, November 06, 2009
Figure with Texture
This was a small exploration I did in class this week. All I want to do is add detail! But I restrained. You can fill in the blanks.
The Illustration Friday quote especially suits me this week: "The supreme accomplishment is to blur the line between work and play." - Arnold J. Toynbee
Tuesday, November 03, 2009
Self Portrait at 30 (process)
I'm close to the completion of my MFA in just a few weeks but have found that it's been good to keep my hands busy with side paintings. Watch this journal as I will reveal my thesis paintings here soon (and perhaps some of my process too)!
Below are a couple shots of a 'side painting': my self-portrait in progress. The first is my initial lay-in of colors and some structure. The second I worked more on the face and values. Next I'll solidify what I'm doing with the background before I go back into the face some more. Portraits are always difficult but a self-portrait especially so as I've found I don't keep as still as I like! This makes it hard to capture the bone structure.
Something I've been exploring more lately is working with desaturated colors and limiting saturation to the focal point. This is difficult with acrylics but also because I love color and now feel like I'm painting with 'mud' everywhere. I hope this will end up making my paintings more sophisticated.
Oh look! Here are my brushes. I can never get them quite as clean as new.
Below are a couple shots of a 'side painting': my self-portrait in progress. The first is my initial lay-in of colors and some structure. The second I worked more on the face and values. Next I'll solidify what I'm doing with the background before I go back into the face some more. Portraits are always difficult but a self-portrait especially so as I've found I don't keep as still as I like! This makes it hard to capture the bone structure.
Something I've been exploring more lately is working with desaturated colors and limiting saturation to the focal point. This is difficult with acrylics but also because I love color and now feel like I'm painting with 'mud' everywhere. I hope this will end up making my paintings more sophisticated.
Oh look! Here are my brushes. I can never get them quite as clean as new.
Friday, October 30, 2009
Self-Portrait at 30 (Underdrawing)
Tuesday, October 27, 2009
Agapanthus Fields
Today is the three year anniversary of my art journal since my first post on October 27, 2006: Man on Street. Boy, my work's changed a lot since then! But... I still love bright colors.
Wednesday, October 21, 2009
Thursday, October 15, 2009
Quick Portrait Studies
Sometimes it's fun just to paint quickly and see what comes out. The top is a self-portrait done in about twenty minutes and below that is a painting from a model done in about five minutes.
Oh, and here's a two minute sketch of my pastor:
Labels:
figurative,
portraiture,
self-portrait,
sketchbook
Tuesday, October 13, 2009
Saturday, October 10, 2009
Yellow Rose
Another "warm-up" painting... I used various paint applications: direct painting, a rub-out technique, glazing and I also scumbled across the surface to obtain the haziness in the background. I enjoy vibrant colors but am working on variations in color temperature to obtain depth. This is a certain variation of yellow rose on view at the Rose Gardens in Golden Gate Park, San Francisco.
Sold.
Wednesday, October 07, 2009
By the Water (detail)
Wednesday, September 30, 2009
Tuesday, September 29, 2009
Thursday, September 24, 2009
In the Garden
"I come to the garden alone, while the dew is still on the roses..." - C. Austin Miles
Well, I'm not sure if I like the outcome of this painting, but as David Bayle and Ted Orland say in their book Art & fear: "...vision is always ahead of execution...". I think, above all, the mood was essential to capture in this piece. This was painted in acrylic on an 18"x24" canvas.
Sold.
Tuesday, September 22, 2009
Good Morning Gladiola
Friday, September 18, 2009
Bright and Sunny
Wednesday, September 16, 2009
Go on Anyway
Thursday, September 10, 2009
Even Shorter Sketches
Friday, September 04, 2009
Tuesday, September 01, 2009
Yellow Hibiscus
Saturday, August 22, 2009
Monday, August 17, 2009
Birds of a Feather
Monday, August 10, 2009
Among the Branches
Wednesday, August 05, 2009
Orange Peaches
Saturday, August 01, 2009
The Owl
Monday, July 27, 2009
Summertime and a Cup of Tea
One of my most favourite painters is the woman impressionist Mary Cassatt.
My mom has a print of this painting which I've adored since childhood. It is called "Summertime". I enjoy the work because of the beautiful reflective quality of the water that echoes the mood of the ladies in the boat. I enjoy the textural brushwork, the repetition of the birds with variation in their style, the graphic nature of the boat coming into the frame, as well as the distance created by fuzzy trees at the shoreline and the more indistinct ducks. I also love how there is created the sense of strong outdoor light with a shadow under the younger girls hat. There is a real sense of the moment in this painting which I think makes it fresh even over a hundred years since it was created.
Another painting of hers which I saw in exhibit here in San Francisco last year, is "The Cup of Tea 2". Again I love the textural brushstrokes that get smaller in detail and more dainty as you look closer at the tea cup and her fingers placed so precisely. I love the sense of depth you get with the gestural flowers and the atmospheric brushwork beyond. I also enjoy her use of unexpected colors, like the strong red on the edges of her dress and at the edge of her nose. It's interesting even how the blues in the flowers behind are echoed in the blues on her glove. This piece utilizes the concept of overlapping in a small space to obtain depth. The edge of the chair is in front of the woman who is in front of the flower stand.
My mom has a print of this painting which I've adored since childhood. It is called "Summertime". I enjoy the work because of the beautiful reflective quality of the water that echoes the mood of the ladies in the boat. I enjoy the textural brushwork, the repetition of the birds with variation in their style, the graphic nature of the boat coming into the frame, as well as the distance created by fuzzy trees at the shoreline and the more indistinct ducks. I also love how there is created the sense of strong outdoor light with a shadow under the younger girls hat. There is a real sense of the moment in this painting which I think makes it fresh even over a hundred years since it was created.
Another painting of hers which I saw in exhibit here in San Francisco last year, is "The Cup of Tea 2". Again I love the textural brushstrokes that get smaller in detail and more dainty as you look closer at the tea cup and her fingers placed so precisely. I love the sense of depth you get with the gestural flowers and the atmospheric brushwork beyond. I also enjoy her use of unexpected colors, like the strong red on the edges of her dress and at the edge of her nose. It's interesting even how the blues in the flowers behind are echoed in the blues on her glove. This piece utilizes the concept of overlapping in a small space to obtain depth. The edge of the chair is in front of the woman who is in front of the flower stand.
Wednesday, July 22, 2009
A New Creation
This piece was inspired by Hawaii and the beach... and maybe a butterfly stopped by?
This is also the first painting I completed solely with the new Winsor & Newton Artists' Acrylics. I was impressed first with the buttery consistency of the paint which reminds me of working with oils. Also as it has a slower drying time I was able to blend it more like I would with oils. Formerly to make the paint flow I would add more water, and I'm told this breaks down the pigment's tinting strength. With this painting I used less water as the paint itself flowed nicely.
The colors do seem pretty vivid though I still want to check out the darkness of the final painting as compared to the out of the tube hue. And although the paint dries slower than other acrylic brands I found within about a half hour of my final brush stroke the whole painting was dry. (I didn't use a hair dryer and I don't paint that thick).
Overall I was quite pleased and hope my local art stores will begin to carry this brand!
Tuesday, July 21, 2009
Self Portrait with Flower
One of the most meddlesome things about using acrylic is that it dries darker than when you first paint it, as the binder used in the paint shifts from white to transparent. This is an exercise I assigned myself to help see the subtle color shifts.
And this is part of my palette:
I just got some new Winsor & Newton Artists' Acrylics which claim to be brilliantly colored and not to shift darker as they dry, as they use a transparent binder. I'm looking forward to trying them out with my next few paintings... we'll see what happens!
Saturday, July 18, 2009
Wednesday, July 15, 2009
Hibiscus
Saturday, July 11, 2009
Tuesday, July 07, 2009
Saturday, July 04, 2009
Monday, June 29, 2009
Tuesday, June 23, 2009
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